the illusion of fact
in collaboration with mark valentine

www.blurb.com/books/1280772

The ResCollecTiVU is an alternative bi-annual publication and performance series through the RCAH, MSU, and the surrounding community. Showcasing dynamic, inventive, and provocative work of all mediums, including poetry, music, photography, theater, media art, video, sound constructions, spoken word art, graphics, dance, installations, paper play, webart, and sculpture.

I was invited, along with Mark Valentine Sullivan, to contribute a series of photographic submissions in the ‘Digital History’ category.

The images looked at what it means to digitize memories, collections, historical documents, photos, letters, or voices in an effort to preserve them and their stories. This submission considered the question of documentary, what would and should we preserve, and why. We chose to submit a series of photographic montages, as an exploration into the concept of ‘illusion’ as it relates to factual documentary. How the memory and the image, can play tricks. The sources images were from two eras, but were sandwiched together to create the illusion of a single memory, from two very different sources. The submission was addressing the concept of digital history.

the illusion of fact
in collaboration with mark valentine


www.blurb.com/books/1280772

The ResCollecTiVU is an alternative bi-annual publication and performance series through the RCAH, MSU, and the surrounding community. Showcasing dynamic, inventive, and provocative work of all mediums, including poetry, music, photography, theater, media art, video, sound constructions, spoken word art, graphics, dance, installations, paper play, webart, and sculpture.

I was invited, along with Mark Valentine Sullivan, to contribute a series of photographic submissions in the ‘Digital History’ category.

The images looked at what it means to digitize memories, collections, historical documents, photos, letters, or voices in an effort to preserve them and their stories. This submission considered the question of documentary, what would and should we preserve, and why. We chose to submit a series of photographic montages, as an exploration into the concept of ‘illusion’ as it relates to factual documentary. How the memory and the image, can play tricks. The sources images were from two eras, but were sandwiched together to create the illusion of a single memory, from two very different sources. The submission was addressing the concept of digital history.

the illusion of fact
in collaboration with mark valentine

www.blurb.com/books/1280772

The ResCollecTiVU is an alternative bi-annual publication and performance series through the RCAH, MSU, and the surrounding community. Showcasing dynamic, inventive, and provocative work of all mediums, including poetry, music, photography, theater, media art, video, sound constructions, spoken word art, graphics, dance, installations, paper play, webart, and sculpture.

I was invited, along with Mark Valentine Sullivan, to contribute a series of photographic submissions in the ‘Digital History’ category.

The images looked at what it means to digitize memories, collections, historical documents, photos, letters, or voices in an effort to preserve them and their stories. This submission considered the question of documentary, what would and should we preserve, and why. We chose to submit a series of photographic montages, as an exploration into the concept of ‘illusion’ as it relates to factual documentary. How the memory and the image, can play tricks. The sources images were from two eras, but were sandwiched together to create the illusion of a single memory, from two very different sources. The submission was addressing the concept of digital history.

the illusion of fact
in collaboration with mark valentine


www.blurb.com/books/1280772

The ResCollecTiVU is an alternative bi-annual publication and performance series through the RCAH, MSU, and the surrounding community. Showcasing dynamic, inventive, and provocative work of all mediums, including poetry, music, photography, theater, media art, video, sound constructions, spoken word art, graphics, dance, installations, paper play, webart, and sculpture.

I was invited, along with Mark Valentine Sullivan, to contribute a series of photographic submissions in the ‘Digital History’ category.

The images looked at what it means to digitize memories, collections, historical documents, photos, letters, or voices in an effort to preserve them and their stories. This submission considered the question of documentary, what would and should we preserve, and why. We chose to submit a series of photographic montages, as an exploration into the concept of ‘illusion’ as it relates to factual documentary. How the memory and the image, can play tricks. The sources images were from two eras, but were sandwiched together to create the illusion of a single memory, from two very different sources. The submission was addressing the concept of digital history.

About:

Video artist, photographer, educator and maker of things ~ partial to messing around with timeĀ using live art, interactive video and sound within community and educational settings.

Working collaboratively, to explore the multi-sensory role of media and its ability to engage individuals and groups, while inspiring imagination and creativity through a series of creative and participatory projects for virtual and live spaces.

A space to satisfy my preoccupation with pre and post digital processes in photography and video, namely pinhole, plastic lens, vintage cameras, super8 and 19th century chemical photography techniques.

It will be an ongoing, organic and fluctuating record.

Current areas of interest:
Wet Plate Collodion | Gum Bichromite | Paladium Printing | Cyanotype | Pinhole | Salt Printing | Albumen Printing | Plastic lenses | Large Format

You can also find me on flickr or blogger, in the studio, or on twitter. When I'm not there, I'm at work!

Enjoy!

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